Ida Jacket, vintage striped Chinese cotton, Small
Sweatshirt and pants, Franca's own.

Beate Jacket, vintage striped Chinese cotton, Medium
Rampling Pants, black silk velvet

Beate Jacket, vintage striped Chinese cotton, Small
Bendix Shirt, cotton lawn grey
Lilli Pants, Ashes black French linen

Ali Jacket, black cotton corduroy
Bendix Shirt, double black cotton muslin
Rampling Pants, black silk velvet

Didion Jacket, vintage Japanese cotton
Rampling Pants, black silk velvet

Bendix Shirt, double creme cotton muslin
Sysser Vest, Vintage Japanese silk
Annie Pants, needlecord in Napoli blue

La Colombe d’Or Jacket, vanilla white wool and linen
Sysser Vest, Vintage Uzbek silk
Lilli Pants, heavy black crepe satin

Q&A WITH FRANCA CHRISTOPHERSEN:
The ceramist.

Franca Christophersen is a beauty of a 28 year old woman born and raised in New Zealand. She moved to Copenhagen in 2018 when she got a ceramist internship and stayed as she married Frama owner Niels Christophersen. We photographed Franca in her studio.

     MM: Why did you become a ceramist?
     FC: I had been working in fashion but started taking ceramic classes in the evening as I was stuck in front of the computer all day and missed working with my hands. That is where it started. In order to learn more about the many different approaches and techniques I ended up with an apprenticeship in Denmark for Eric Landon.

     MM: Tea or coffee?
     FC: I drink coffee in the morning, but keep it at two a day and I prefer my coffee weak and milky as I am pregnant. Tea is for my evenings and like tea from IO Tea or Sing tea house. I prefer something herbal and special.

     MM: What was your process for the making of the cups?
     FC: I started off by looking at classical visual references. The mindset was about creating something special and timeless. La Bagatelle has such a focus on craftsmanship and an appreciation of it and I wanted to honour that. So I decided to use a high grade coarse stoneware to make the cups with a porcelain coating which is unusual. However, I used it as it would give a refined look yet reveal the texture.
     I am into making things complicated at first and then trying to simplify them. These pieces for instance has been fired three times to give the right kind of effect of stoneware and porcelain. I tested different glazes again and again before it was right. The tea and the espresso cup have their own language but they go well together without being too much the same. Each cup is wheel thrown and it takes an absolute minimum of a week and a half to finish one cup.

     MM: What do you look forward to in Spring?
     FC: The Sun the most. And to drive my Volvo P1800ES in California White from 1972. I only drive it in the Summer.

Photographer
Frederikke-Agnete Svarre
Stylist Caroline Harbro